A Star Wars Epiphany

Over the weekend I had some extra time (which was gained by stopping in my reading of the Golden Ass just after the story of Eros and Psyche) so I decided to view the original Star Wars trilogy (4,5,6) in one sitting. Somewhere between Luke Skywalker learning to levitate rocks and Princess Leia feeding what appeared to be a power bar to an Ewok, I had a minor epiphany on the basic yet pervasive structure underlying the most captivating stories in history.

To illustrate my point I will use two of the most captivating stories ever told in my analysis, Star Wars and the story of Cupid and Psyche. There is, in my humble opinion, three essential components to any captivating story. They are: Initiation, Separation, and Return (these terms are taken from a discussion with another story telling enthusiast who shall remain unnamed).

Initiation
In this stage the protagonist is introduced as a young, sheltered, and naive character (obviously both Psyche and Luke Skywalker qualify). During this stage the protagonist endures difficult events (Luke's aunt and uncle being killed or Psyche being abandoned on a mountain) which leads to a new an exciting adventure or experience (Luke going with Obi-Wan to rescue Princess Leia or Psyche being whisked away to live in splendor with her invisible husband). This stage involving a tragic or frightening experience followed by a new and exciting adventure or experience is what I call initiation.

Separation
This is the stage in which the main character abandons or upsets the idyllic environment of the initiation stage by acting impulsively or against their better judgment (Luke abandons his training with Yoda, despite Yoda and Obi-Wan's warning, to go save his friends in Cloud City or when Psyche heeds the advice of her evil sisters and, ignoring the words of Eros, looks upon her husband while he sleeps). This action leads the protagonist to discover the ironic truth of their situation ("Luke I am your father" or Psyche discovering her husbands true identity) which results in tragic circumstances for the protagonist which separate and isolate them from the rest of society (Luke's depression over being lied to about his father's true identity or Psyche's depression at having lost the love of her life because of her own foolishness).

Return
In the final stage, the protagonist seeks the counsel of those wiser than themselves about what they should do next (Luke speaking to Yoda and the ghost of Obi-wan or Psyche speaking to Pan, Demeter, and Hera) the Protagonist comes to terms with the tragic reality of their situation and attempt to confront the problem and rectify the situation (Luke deciding to face Darth Vader and the Emperor or Psyche deciding to confront Aphrodite). The protagonist then struggles and suffers as a result of their confrontation (Luke dueling Vader and being tortured by the Emperor or Psyche attempting to completing Aphrodite's impossible tasks). It is during this struggle that the secondary character, who has some type of bond or connection to the protagonist takes pity on the protagonist and aids them in their struggle (Vader killing the emperor to save Luke or Eros rescuing Psyche). It is through this action that the protagonist is restored or returned to their rightful place- regaining the innocence of their initiation while retaining the wisdom gained through their separation (Luke becoming a Jedi knight and helping to redeem his father or Psyche gaining Eros's forgiveness and becoming immortal).

These are the essential stages that embody the most captivating stories in our history.

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